Tabling craft with a contemporary flair

The Naga is inspired by the Naga daybeds that are simply beautiful. I wanted one for a very long time. Back then, as a 20-year-old design enthusiast, I couldn’t afford one. When I could finally afford one, I didn’t want one because of how common they had become. So, I decided to experiment and make it in paper pulp. It’s my own take on the classic Naga table, a homage to those beautiful tables.

What materials do you like to work with?

We work with a variety of materials: fibreglass, stone, stoneware and paper pulp. India is a treasure trove for materials.

I work with whatever I can get my hands on. I want to learn, engage and experiment.

Do you have a favourite piece among your creations?

The paper pulp pieces are truly a joy. The ceramic pieces take a lot of effort, so they are special. The cast pieces celebrate an age-old technique. You get the drift. I like them all. I live with them all.

How would you describe your design language?

My design language is soulful. I strive to infuse each piece with a sense of depth and emotion, creating objects that resonate on a personal level. My work often combines simplicity with thoughtful details, focusing on the harmony between form and function. I believe that good design should not only be visually appealing, but also evoke a sense of connection and comfort. My approach is intuitive, often inspired by natural forms and traditional craftsmanship, yet always seeking to push boundaries and explore new materials and techniques. In essence, my design language is about creating pieces that tell a story and enrich the spaces they inhabit.

Does Indian craftsmanship interest you, and do you use it in your work?

Yes. It would be foolish not to make use of the wonderful resources we have. We recently did a version of our Cocktail table with Bidri work and a version of our Stubby table with Taarkashi work. Our paper pulp tables are made in Kashmir by expert craftsmen. Our Longpi table is made in Manipur. Our ridged ceramic lamp is handmade by ceramicists in Maharashtra. I incorporate it into my work by collaborating with skilled artisans and integrating traditional techniques with contemporary design.